Rainbow
Crystal splits light on its own.
Rainbow asks what happens if you push it — a dichroic film laid across each cut facet, amplifying a spectrum that was already latent in the glass.
Vases. The Small Vase takes a single stem or a taper candle. The Large Vase is carved by hand from a heavy lump of Krone Neun crystal, with a refractive index of 1.57 and 90% transmission. The Angle Vase is cut from a solid block, every planar surface filmed.
Flame. The Candleholder throws the spectrum across whatever is nearby once lit, and asks for very little space. The Tealight sits quietly until the candle is going, then bends the colour as the flame moves.
Desk and table. The Smile Paperweight is an arc that suggests lightness at considerable weight. The plain Paperweight does nothing at all until direct sun reaches it. The Bowl carries enough crystal to hold a table on its own; the Box is the same idea, squared.
Wall Hooks put the same cut crystal where you would normally accept plastic. Two sizes, sold in pairs.
The crystal is cut and polished by hand in Pujiang. Because it is hand-cut, no two pieces break the light in quite the same way — the variation is the point, not a fault.